words to lift your hat to…

Thesaurus“Now there’s a word to lift your hat to…” – Emily Dickinson

When my third grade teacher, Mrs. Broadhurst, showed me a thesaurus for the first time, I was thrilled. I started peppering book reports with words like assuage and recondite. Which word was the right one? Which would say just the thing I needed it to say? I used to stare at a leaf or a wall as the day faded and ask myself, what color is it now? And moments later – now?  What pigments would I mix to get it to look like that? What word says what color that is? And when darkness took away all color, there were sounds – the rustle of sheets, a gurgle deep in the belly of the house.  A distant car outside, someone awake going where, why, at ten thirty, eleven thirty, twelve thirty at night?  There were words somewhere to say what was happening at any moment any place in the world. Continue reading words to lift your hat to…

Missed Connections: Meet me in a field of snow.

English: Snowy field
English: Snowy field (Photo credit: Wikipedia)

I started this blog to document the process of writing my first book, The Saltwater Twin and Other Mythical Creatures. If you’ve spent time here, you know I mostly write about what’s going on in my brain as I write, revise and obsess over this massive project. I spend as much time as I can on the manuscript. But in the meantime, a girl’s gotta eat. So, today I’m going to share a story from my day job. I mentioned a few weeks ago that I wait tables a couple nights a week. But by day I’m an interdisciplinary teaching artist, which means I work with students, teachers and community members in schools, healthcare centers and jails on all kinds of writing and performance projects.

I’m currently working with a seventh grade class at a Chicago public school on the South Side through one of my favorite arts ed organizations, Urban Gateways. My students are creating a performance that investigates connection – the people, places and things they feel connected to and how they are impacted by that web of connections. Seeking material to inspire student writing, I started thinking about the missed connections ads in the classified sections of local papers or on websites like Craigslist. I thought that could be a fruitful place to start an exploration of connectedness. A little digging brought me to a beautiful site called Literary Bohemian, an online journal of travel writing where I found a prose poem called “new york craigslist > personals > missed connections>” by Megan Falley.

My students and I talked about the concept of a missed connection ad. I likened it to a flyer you might see stapled to a telephone pole or tree for a missing pet or person. We talked about the people we might miss a connection with – a friend or relative who died or moved away, a fictional character we could never meet in real life or someone we hadn’t yet met, but hoped we would someday. We talked about dreams and being weird and how in poems you can use images that are dreamlike and surreal to say something about a relationship that is hard to say in words. Here are some of the poems they came up with. I think they’re pretty brilliant. We’ll use these poems and more to compile a script the students will perform at the end of May. I can’t wait to see how it turns out. Continue reading Missed Connections: Meet me in a field of snow.

Memoir and Memory II: the Theater of Memory and Ways We Forget

A sudden loss of consciousness
Photo credit: Pulpolux
Note: This post is a continuation of the last, which began with musings on memory 1-10. 

Memory is not an instrument for exploring the past but its theatre. It is the medium of past experience, as the ground is the medium in which dead cities lie interred.                                       – Walter Benjamin

11. There is a branch of sociology (and other disciplines) called memory studies. (I am so happy about this.) It investigates things like the ways memory impacts culture and the role memory plays in collective and individual identity.

12. This makes me think of how tremendously satisfying it can feel to remember together, how it can forge and strengthen connections with others.

13. A sociologist named Paul Connerton, a pioneer in the field of memory studies, has posited that there are seven types of forgetting.

14. One of the seven types of forgetting, repressive erasure, refers to the forced forgetting of language and customs by which a government or state may seek to control a people. Forgetting as a form of violence.

15. Families do this, too. Continue reading Memoir and Memory II: the Theater of Memory and Ways We Forget

Memoir & Memory

http://upload.wikimedia.org/wikipedia/commons/b/b9/Brain_page_368.jpg

Memory has been on my mind. As I’ve mentioned in this blog, The Saltwater Twin contains some elements of memoir. Working on this book has meant hours spent in my brain’s attic, rummaging through memories, emerging powdery and hoarse with dust.

Actually, that’s not the way memory works. Turns out, it’s not even a good metaphor for how it works. A memory isn’t like a letter or a photograph. It doesn’t live in one place in our brain. A memory is a pathway, it links sensory and emotional data stored in different parts of our cerebral cortex and limbic system. This is my understanding, anyway, after the twelve or so articles and one podcast I recently turned to in an attempt to get acquainted with memory. Neuroscience is like space. It’s fascinating, hard to wrap my head around and more than a little disconcerting.

Here are some more (unscientific) things that fascinate me about memory: Continue reading Memoir & Memory

In between

four moonIt began in mystery, and it will end in mystery, but what a savage and beautiful country lies in between.                                      
                                                                           — Diane Ackerman

I’m waiting tables again. This past fall, a couple gaps in my teaching schedule left funds a little thin, so I picked up a couple nights a week at a place not far from home. Waiting tables has always been something I’ve done between other jobs, between teaching and writing and life. Often, the restaurants where I’ve worked have been staffed by artists and students and immigrants – people on their way to doing other things, people working two jobs or three to support families, put themselves through school, pursue creative projects, people between countries, languages and cultures. On top of all of those betweens, there’s the contrast between the staff racing around, keeping tabs on tables and drinks and entrees and the customers at rest, eating and drinking, catching up with friends.

Waiting tables makes me think about these collisions, these betweens. It also makes me want to go have a drink after work. So, the other night, somewhere between one day and the next, I was sitting at a bar with a couple new friends from the restaurant. Continue reading In between

early Valentine

Winter chicago snowy streetI can’t help it, sometimes I’m susceptible to a little bit of magical thinking. Supposedly, this isn’t a bad thing. It’s not unusual, at any rate. Human beings are wired to see patterns, connections, to create narrative and ritual out of the raw material of our lives. We can’t help but seek meaning. In fact, a neuropsychologist in Zurich has actually linked a lack of magical ideation to a reduced capacity to experience pleasure. People who don’t exhibit any signs of magical thinking are more likely to be depressed. So, a little magic in the heart of a Chicago winter may not be a terrible thing. It’s cold, it’s dark, the holiday hullabaloo is a distant memory, and all that remains are slushy, grey streets and long, long nights. The twinkly lights have been put away and those of us in the northern hemisphere are in for thirty-one of the coldest days and longest nights of the year. The world is crying loss, loss, loss. At least, that seems to be my January lot: loss. Jobs, relationships, pets – for two years running, January has appeared determined to kick my ass. (I know it’s February now. Believe me, I’ve been counting the days.)

This past weekend I was having one of those moments when you simply cannot take any more. I was scoured out by worry and sorrow, bone-weary and trying to get out the door to meet a friend – and I couldn’t find my cell phone. As a consequence, I was walking around my apartment yelling, “It’s not fair!” (My poor neighbors – I hate to think what they overhear. I sing to the dog to get him psyched for dinnertime or walktime – never mind the fact that, being a dog, he’s already pretty psyched about those things; I howl like a banshee because the world is not going according to my plan.) Anyway, there I was, desperately seeking my cell phone, when I heard music mysteriously coming from the bedroom. Continue reading early Valentine

Start Now

dorothy writing

10 Steps to Becoming a Better Writer
Write.
Write more.
Write even more.
Write even more than that.
Write when you don’t want to.
Write when you do.
Write when you have something to say.
Write when you don’t.
Write every day.
Keep writing.
 ― Brian Clark

 

I started this blog last February, a couple weeks after my birthday, to document the experience of writing my first book. As I approach these anniversaries — birthday and blog — I can’t help but take stock of where I am (writing, writing, writing), how I got here (see here) and where I’m headed next (I want to sell The Saltwater Twin and Other Mythical Creatures before 2013 draws to a close). Last week I wrote about pep talks. I kind of feel like this blog has been a yearlong pep talk to myself and anyone else who’s working hard at a creative project — or maybe just working hard at, like, life. These posts have been my inquiry into how to balance plugging away on something that’s going to take a while to finish and manage at the same time to feel some measure of contentment with life as it unwinds. Continue reading Start Now

Aragorn in the Living Room

arwen

I am currently working on a really hard chapter of The Saltwater Twin – hard because it kicks up all kinds of not very pleasant emotional turmoil. Also, my wonderful, wonderful pooch is getting old and facing illness. Also, it’s winter. In order to face these difficulties, I have been shoring myself up with hot chocolate, carrot cake and The Lord of the Rings.

I read Tolkien’s trilogy for the first time in fifth grade – I had to take breaks because the Ringwraiths gave me nightmares. Last week I looked for my copies of the books; I felt that hot chocolate/carrot cake/LOTR breaks at regular intervals would be very beneficial in navigating the difficult emotional terrain of writing this chapter and taking Levi to vet appointments. But I must have given away my yellowed paperback copies in a book purge at some point, because they were nowhere to be found. So, I ordered them on Amazon, and rented the movies to tide me over until they arrive. And I have to say, they hit the spot. It is so satisfying to spend time in a world where good is gloriously good and evil irredeemably evil, and they’re so comfortingly and clearly delineated. Good is Liv Tyler on a white horse with a gleaming silver sword, and evil looks like an orc. Continue reading Aragorn in the Living Room

grace

Cat Stretching

When I was in college I tried to wean myself off sleep. I’ve never functioned very well on less than eight hours of zzzs, and I’ve always been profoundly jealous at those who can. Sophomore year I came up with a plan to gradually reduce the amount I slept each night until I made it to – I’m not sure what my goal was – six hours? four? Turns out I’m not the only one who has had this brilliant idea. When I typed “can you train yourself to need…” into the search bar, Google right away suggested “less sleep.” This was followed by the even more ambitious, “Can you train yourself to not need sleep?” Wow. At all? Most researchers say that although individuals differ in the amount of sleep they need, a person can’t deprive herself of sleep without suffering things like fatigue, sadness, stress, anger and diminished performance. My own sleep experiment did not meet with success: I caught colds, suffered migraines and continually dozed off in the library until, bitterly disappointed, I went back to sleeping eight-ish hours a night.

This is how I’ve tended to approach most things in life. I value self-discipline, hard work, endurance. I set monster goals. If I’m not pushing myself to the limit – running faster on the treadmill, soaring across writing deadlines, checking off every last to do – I feel lazy. This leads to a lot of anxiety. It’s never – I’m never – enough. Recently, I was struggling through an intermediate level yoga class – though I’m new to yoga, I skipped the beginner classes, wanting to instantly master the fancy poses, the handstands, to get the most intense workout. We were working on some insane pose – flying pigeon, perhaps – and the instructor told us to find the place in between pushing really hard – like working really hard for it and trying to be a tough customer – and the place of sinking into the pose and sort of surrendering to it. I think she said a word to describe what this place is, but I can’t remember it. Nevertheless, the idea that there was such a place and that one might choose to rest in it, breathe into it without ferocious effort or sitting back on one’s laurels, that was a revelation.

I’ve been Googling phrases trying to find the term – the Sanskrit word for that yoga place between. No luck so far. But I did find “Playing the Edge,” an interesting reflection by a yogi named Erich Schiffman who writes that,

“Edges are marked by pain and define your limits. How far you can fold forward, for example, is limited by your flexibility edge; to go any further hurts and is actually counterproductive. The length of your stay in a pose is determined by your endurance edge. Your interest in a pose is a function of your attention edge.”

Schiffman suggests that you pay attention to these edges as they arise, that you notice them, breathe there, wait until your body tells you to deepen the pose.

I want to learn how to do this in life. I am always trying hard, working hard, getting very breathless. Schiffman asserts that if you have to steel yourself to get through your yoga practice, you’re pushing too hard; you’re fighting yourself. “Keep tabs on whether you are enjoying yourself or not,” he writes. “If not, why not? Find a way of doing the pose that is enjoyable.” It reminded me again of that day that I got nowhere close to flying pigeon – the yoga instructor told us to try to keep the beginnings of a smile on our face. Just the feeling of being about to smile.

Here’s the thing: I like my life. I like writing and teaching. I like spending time with my friends and boyfriend. I like my pets. I like taking care of them. I like taking care of my home and cooking good meals. I like exercising. But way too often, all of these good things add up to ohmygodhowamigoingtogetallofthisdonei’mfailingatlife?

So I’m going to work at finding that space between pushing and surrender. To keep tabs on whether I’m enjoying myself or not, and if not, to see what I can shift. To be interested in myself, in the moment and in what’s happening in it. And since I still don’t know what it’s called in Sanskrit – that in between place, that balancing of effort with ease – I’m going to call it grace.moon trees 2

Everything Is Medicine

So, the nice literary agent in New York who continues to be very encouraging about The Saltwater Twin recommends that I stop working on it for a while and focus on submitting work for publication. She thinks two or three more publications under my belt will put us in a better position to sell the manuscript when that time comes. Consequently, while I haven’t stopped writing altogether, I’ve begun to devote half my time to researching literary magazines and websites, polishing excerpts of chapters and sending them out via email and manila envelopes…and the rejections have begun to trickle in.

I’ll be honest. I enjoy praise. I like As. It’s pleasant to have people tell me I’m wonderful, especially at something I’ve worked hard at. It feels good. But, despite the fact that praise is more fun, rejection is part of any artistic practice (not to mention part of life), and it’s helpful to learn how to take it in stride. There are thousands of blogs and websites and articles that offer advice on how to deal with getting rejected by love interests and job interests and even a whole bunch of sites talking specifically about how to deal with rejection as a writer. I like the advice of an irreverent fellow called Chuck Wendig who blogs at terribleminds:

“Every book, movie, or story you love? It’s been rejected. Probably not once. But dozens, maybe even hundreds of times. It’s part of the writer’s career tapestry, part of our blood and genetic memory. Rejection is part of who we are as creative beings. Might as well commiserate.”

So how do you deal with it? How do you keep from getting the wind knocked out of you every time? Mr. Wendig goes on to advise,

“Step to it. Suck it up. Lean into the punch. We all get knocked down. This is your chance to get back up again with your rolled-up manuscript in your hand and start swinging like a ninja…You need to see rejection as bad-ass Viking Warrior battle scars, as a roadmap of pain that makes you stronger, faster, smarter, and stranger. Rejections are proof of your efforts. Be proud to have ‘em.”

I think about learning to ride a bike. How many times I fell off, the weeks I spent with chronically bloodied knees. But I kept getting back on.

This past Saturday I went to a very interesting event called a gong bath. Maybe I’ll tell you more about that sometime. One of my favorite things – actually probably my favorite thing – about the evening happened during the introduction when the leader said, “Everything is medicine.” I like that thought. I love that thought. Everything is medicine. I am medicine. Penne with tomato cream is medicine. Rejection is medicine, too. It’s a tonic for toughening up, being persistent, weaning yourself off a need for extrinsic praise, finding satisfaction in doing the work as best you can. Getting back on the bike. Wobbling down the street until the whole balancing and pedaling and steering act is second nature. Until it feels like flying.