Summertime update: My essay “The Saltwater Twin” (which the observant among you will notice shares a name with this blog) is coming out in a great magazine called Creative Nonfiction. This month! As in, you can order it now! Creative Nonfiction, according to their website, “was the first and is still the largest literary magazine to publish, exclusively and on a regular basis, high quality nonfiction prose.” This issue is subtitled, “Strange but True Stories of Survival and Unlikely Events.” Editor Lee Gutkind called “The Saltwater Twin” a depiction of “the author’s struggle to avoid drowning, both literally and metaphorically.”
The essay that appears in Creative Nonfiction is essentially the first chapter of my work-in-progress, The Saltwater Twin and Other Mythical Creatures. While I continue to work towards the goal of publishing a book, a chunk of my time each week has also been spent looking for online and print publications that might be good places to submit chapters and excerpts of chapters. I was initially somewhat frantic about this task and the hours it took away from The Writing of the Book, but it’s actually been a pretty significant learning opportunity – I’m a better writer for it. As a rookie essayist, reading other authors in the genre is, of course, essential. I’ve learned the nuts and bolts of drafting cover letters and formatting manuscripts for submission. The task of excerpting longer chapters has taught me to identify a narrative thread and given me practice in determining what sections of a piece tell the story (or stories) and the myriad ways that story can be told.
Last month, I got an email from editor Hattie Fletcher saying CNF would like to publish “The Saltwater Twin” in their summer issue. (It was a good week. I also found out my post “On Writers, Egos and Truth” had been Freshly Pressed!) A few days later Hattie emailed a copy of the essay with her comments and suggested changes. The biggest one was a concern she had about the final paragraph which she felt read like the prologue to a longer work – which it kind of was. “The Saltwater Twin” was conceived of as the first chapter of my book. We chatted on the phone about that big change and some of the smaller ones. I emailed her my edits later that afternoon. I’m very happy with the new last paragraph; in fact, I don’t know which I’ll ultimately decide to use in the book. Then I signed a contract, wrote a bite-sized bio, and after one more round of tweaks by the copy editor, that was that.
I wrote sixteen drafts of “The Saltwater Twin” before I started submitting it to publications. I didn’t keep track of how long that took, but say two months at the very least. In the course of submitting it to 25 different journals and magazines, I learned how to write a cover letter and how to format a manuscript for publication. I researched which publications might be good forums for my work and for this essay in particular. I bought journals and read essays over coffee, cereal and take out. I made a table of places to submit, deadlines and results. It looked like this:
I first sent “The Saltwater Twin” out almost a year ago – in September 2012. At first, I wrote “rejected” when a magazine turned it down, but I switched to “declined.” Wussy, perhaps, but I find it less discouraging.
Those numbers, for your scorecards, are 16 drafts, 11 months, 25 publications. It’s very satisfying to know that all that work bore fruit.
Also, I now have business cards. Fancy, no?